{"id":14801,"date":"2020-06-13T16:45:46","date_gmt":"2020-06-13T15:45:46","guid":{"rendered":"http:\/\/krabat.menneske.dk\/kkblog\/?p=14801"},"modified":"2020-07-19T15:02:41","modified_gmt":"2020-07-19T14:02:41","slug":"keith-kenniff","status":"publish","type":"post","link":"https:\/\/krabat.menneske.dk\/kkblog\/2020\/06\/13\/keith-kenniff\/","title":{"rendered":"Keith Kenniff"},"content":{"rendered":"<div class=\"_2m1qj\">\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Keith_Kenniff\" target=\"_blank\" rel=\"noopener noreferrer\">Keith Kenniff<\/a> writes music for movies (among these Miranda July&#8217;s &#8220;<a href=\"http:\/\/krabat.menneske.dk\/kkblog\/2012\/06\/14\/miranda-julys-me-and-you-and-everyone-we-know\/\">me and You and Everyone we know<\/a>&#8220;)<br \/>\nHe is also a major mix-master making sample laws obviously redundant in all their stiffling idiocracy. Listen to this mix and tell me if it wasn&#8217;t worth it. Then go and seek out each individual composer and live their bodies of work.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-14801-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.unseen-music.com\/mixes\/keith_kenniff-classical_mix.mp3?_=1\" \/><a href=\"http:\/\/www.unseen-music.com\/mixes\/keith_kenniff-classical_mix.mp3\">http:\/\/www.unseen-music.com\/mixes\/keith_kenniff-classical_mix.mp3<\/a><\/audio>\n<\/div>\n<p><!--more--><\/p>\n<div class=\"_2m1qj\">\n<p><strong><a href=\"http:\/\/www.unseen-music.com\/mixes\/\" target=\"_blank\" rel=\"noopener noreferrer\">Here as well as there is art, here as well as there is heart.<\/a><\/strong>\u00a0 ( = More)<\/p>\n<\/div>\n<div class=\"_2m1qj\">\n<p>0 &#8211; 0:30 Henry Purcell &#8211; Suite en sol majeur (Z 660) &#8211; Prelude<br \/>\n0:30 &#8211; 4:22 Philip Glass &#8211; Einstein on the Beach, Knee Play 1<br \/>\n4:22 &#8211; 12:14 Lou Harrison &#8211; Symphony No. 2, i. Tears of the Angel Israfel<br \/>\n12:14 &#8211; 15:06 Morton Feldman &#8211; Rothko Chapel 3<br \/>\n15:06 &#8211; 16:40 Howard Skempton (perf. John Tilbury) &#8211; Toccata<br \/>\n16:40 &#8211; 20:19 Henryk Gorecki &#8211; 3 olden style pieces, iii.<br \/>\n20:19 &#8211; 23:01 George Crumb &#8211; Music for a Summer Evening: Music of the Starry Night<br \/>\n23:01 &#8211; 30:13 Henry Purcell &#8211; When I am Laid in Earth (from Dido and Aeneas)<br \/>\n30:13 &#8211; 35:42 John Adams &#8211; Grand Pianola Music: Part 1b<br \/>\n35:42 &#8211; 38:37 Gyorgy Ligeti &#8211; Atmospheres, for Large Orchestra<br \/>\n38:37 &#8211; 40:16 Avet Terterian &#8211; Symphony no 1, ii.<br \/>\n40:16 &#8211; 44:15 Steve Reich &#8211; You Are (variations): Ehmore M&#8217;Aht, V&#8217;Ahsay Harbay (Say Little and Do Much)<br \/>\n44:15 &#8211; 45:03 Dimitri Shostakovich &#8211; Prelude no. 2 in A minor (op.27)<br \/>\n45:03 &#8211; 48:24 Igor Stravinsky &#8211; Mass for Chorus and Double Wind Quintet &#8211; Sanctus &#8211; Benedictus<br \/>\n48:24 &#8211; 52:05 Gabriel Faure &#8211; Requiem: In Paradisum<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>(and Miranda July)<\/p>\n","protected":false},"author":1,"featured_media":14802,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[164],"tags":[2454,2472,2469,2468,2470,2471],"class_list":["post-14801","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musik","tag-avantgarde","tag-film-music","tag-keith-kenniff","tag-miranda-july","tag-mix","tag-samle"],"_links":{"self":[{"href":"https:\/\/krabat.menneske.dk\/kkblog\/wp-json\/wp\/v2\/posts\/14801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/krabat.menneske.dk\/kkblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/krabat.menneske.dk\/kkblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/krabat.menneske.dk\/kkblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/krabat.menneske.dk\/kkblog\/wp-json\/wp\/v2\/comments?post=14801"}],"version-history":[{"count":7,"href":"https:\/\/krabat.menneske.dk\/kkblog\/wp-json\/wp\/v2\/posts\/14801\/revisions"}],"predecessor-version":[{"id":14919,"href":"https:\/\/krabat.menneske.dk\/kkblog\/wp-json\/wp\/v2\/posts\/14801\/revisions\/14919"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/krabat.menneske.dk\/kkblog\/wp-json\/wp\/v2\/media\/14802"}],"wp:attachment":[{"href":"https:\/\/krabat.menneske.dk\/kkblog\/wp-json\/wp\/v2\/media?parent=14801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/krabat.menneske.dk\/kkblog\/wp-json\/wp\/v2\/categories?post=14801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/krabat.menneske.dk\/kkblog\/wp-json\/wp\/v2\/tags?post=14801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}